Esperanza is joined in the studio by a crew of A-list session players, including flamenco guitar virtuoso Nino Josele, percussionist Jamey Haddad, drummer Horacio "El Negro" Hernandez, saxophonist Donald Harrison and several other seasoned talents - all of whom collectively serve as further evidence of the kind of creative energy and magnetism that she radiates.

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Never mind that in 2005--at the age of 20--Esperanza Spalding became the youngest instructor in the history of Berklee College of Music. It's what's on wax that counts--or CD, or MP3, if preferred. On Esperanza, her debut set for Heads Up International, Spalding presents a prowess on the acoustic bass that many bassists with far more experience could be inspired by. Need proof? Check out "Mela," on which Spalding?s chops on the upright are matched (if not exceeded) by her tangerine-and-honey vocals. There is a lilt in her voice that, to be sure, puts the blind optimism of her youth front and center. But who needs another jaded jazz singer? This multi-lingual set starts off with the mellow, mid-tempo "Ponta De Areia." From there Spalding winds her way through an appropriate group of mostly self-penned songs that are simultaneously sweet, commanding, calming, and intense. Of particular note are the hopeful "Espera," and her take on "Cuerpo y Alma" (the jazz standard "Body & Soul" in Spanish). And yes, purists, she can scat. Her name, Esparanza, is the Spanish word for "hope." Here's hope for a bright future and satisfying career following this wonderfully refreshing album. --Eric C.P. Martin