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| Day After Tomorrow | 
| List Price: $18.98
Buy New: $12.80
You Save: $6.18 (33%)
Buy New/Used from $12.15
Avg. Customer Rating:  (based on 33 reviews)
Sales Rank: 198
Category: Music
Artist: Joan Baez
Publisher: Razor & Tie
Studio: Razor & Tie
Manufacturer: Razor & Tie
Label: Razor & Tie
Media: Audio CD
Discs: 1
Shipping Weight (lbs): 0.2
Dimensions (in): 5.6 x 4.9 x 0.4
MPN: 83002
UPC: 793018300223
EAN: 7930183002238
ASIN: B001A62ZLA
Release Date: September 9, 2008
Availability: Usually ships in 1-2 business days
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| Tracks:
| • | God Is God (Steve Earle) | | • | Rose of Sharon (Eliza Gilkyson) | | • | Scarlet Tide (Elvis Costello & Joseph Henry Burnett) | | • | Day After Tomorrow (Tom Waits & Kathleen Brennan) | | • | Henry Russell's Last Words (Diana Jones) | | • | I Am A Wanderer (Steve Earle) | | • | Mary (Patty Griffin) | | • | Requiem (Eliza Gilkyson) | | • | The Lower Road (Thea Gilmore) | | • | Jericho Road (Steve Earle) |
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| Editorial Reviews:
Album Description
2008 marks Joan Baex 50th anniversary as a recording artist. The album was produced by the legendary Steve Earle. Joan gives her distinct interpretations to songs from Tom Waits, Elvis Costello, Steve Earle, Patty Griffin and more. Razor and Tie.
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| Customer Reviews: Read 28 more reviews...
 You go girl, keep those albums coming !!!!!! November 26, 2008
2 out of 2 found this review helpful
I have listened to Joan Baez songs since I was in grammar school and I am just as much in awe of her voice now as I was then (the sixties). Persoanlly I appreciate the more religious tones of the CD. After the recent political roller coaster that we have been on it is nice to be able to sit down, listen to music that actually talks to our thoughts, and relax our spirits. To those who say her voice is off key, I have been in church and heard old voices off key, trust me, Joan's voice is dead on perfect. I was able to attend her concert in Tuscaloosa in 2008 and was amazed at how awesome it was to hear her in person.
Joan, you go girl, keep singing till the Good Lord calls you home.
 Day After Tomorrow November 25, 2008
1 out of 5 found this review helpful
This Album is too "Christian" for me. I preferred her older material much more than this sort of music.
 Very disappointing November 22, 2008
4 out of 8 found this review helpful
I found this CD to be virually unlistenable. I love Joan Baez's recordings, but she no longer has a melodic voice. It does not even have the character that made Johnny Cash's late albums such treasures. I tried the CD twice, but could not make it all the way through either time. It was too painful to listen to. Sorry. I was hoping for a late career triumph for Joan, I love her so.
IMAGINE NO RELIGION November 22, 2008
1 out of 10 found this review helpful
I won't buy this because of all the religion. I heard Joan @ Woodstock 1969.
She always sang spirituals, but this is too much, esp. when religion & gay rights are the hot topic.
Snow Drifts November 9, 2008
2 out of 2 found this review helpful
"Day After Tomorrow" is an excellent Baez disc IMHO! Her song selections continue to be powerful. Her voice, while weathered, remains expressive and powerful. Patty Griffin's "Mary" has a lovely melody that Baez embodies completely as she finds inspiration from the example of the mother of Jesus, "Every time the snow drifts, every time the sand shifts, even when the night lifts, she's always there." Eliza Gilkyson wrote two tracks that Baez recorded. "Rose of Sharon" was originally on Eliza's CD Redemption Road. Steve Earle's acoustic guitar compliments Baez's voice that brims with emotion, "Rise up my love & come away, the rain is over & gone, you are the fruit of my darkest day." "Requiem" from Gilkyson's Paradise Hotel is masterfully sequenced after "Mary" as Baez combines the same persona to arrive at a statement of hope, "In the dark night of our soul, bring some comfort to us all." Particularly moving to me is Baez's version of "Henry Russell's Last Words" that introduces the "Mary" image with "Oh how I love you Mary." The track takes me closest to Baez's early folk days with its slow progression & Tim O'Brien's bouzouki giving a quaint and somber feel. "Day After Tomorrow" is a strong set, masterfully compiled & admirably performed. Bravo!
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